EVERY HOOFPRINT

When I’m alone in my car, the world melts away. I crank the music, the bass shakes the seats, and for a little while, I’m free to just be myself.

or the first time at a concert without my phone, I saw the stage not a sea of screens. Nearly 14,000 eyes focused on the band, the crowd connected in ways no recording could capture, and I realized some memories are meant to be lived, not filmed.

“In Connecticut, we don’t inject politics into private family medical decisions, and we don’t let adults bully our kids. It’s that simple.”

If you’re a freshman stepping off that plane with a suitcase in one hand and dreams in the other, welcome. You’re a Global Charger carrying not just textbooks, but your culture, your memories, and your hopes across borders. This will be the hardest and the best time of your life, and you are stronger than you think.

In Mallory Square, an iguana named Elaine basks under the sun, oblivious to the world’s troubles. Named after a 'Seinfeld' character by an ice cream vendor, she lives a routine life far removed from ocean acidification or territory disputes just rocks, sun, and the slow shuffle of her fellow iguanas.

By: Haiden Leach Some foreground for this piece comes from the classrooms of the University of New Haven. I took an unexpected class for...

Contributing Writer Gabriella Pinto I’m not a religious person. For context, the only times I’ve recently been in a church were for...

Contributing Writer  Michael Crowley It’s 1:47 AM. The world is quiet again—too quiet, really. The kind of stillness that pulls strange...

Contributing Writer Djemima Duvernat I am here to point a finger at social media, our mothers, and our education system because, yes,...

The neck of a yellow excavator foots the bottom of a scene located in the Meat-Packing district of a bustling Manhattan, the smells of Chelsea Market wafting over. Shadows consume the urban landscape, lining every automobile and defining every storefront. Bright, vibrant colors contrast the darkness, fighting for their time with the viewer’s eye.

This week's entry is a little shorter, only because I'm kind of struggling to grapple with reality. It's been hard to think about the fact that I'm leaving the place I've called home for five years.

Neil Diamond sets out on a journey across the U.S. to look at how Hollywood has portrayed Native Americans in movies. He talks with historians, actors, and indigenous people to understand how these portrayals have shaped public opinion.